º£½ÇÉçÇø

Eve is an AHRC-funded PhD student at the Cinema and Television History Research Centre. Her PhD research focuses on the representation of gender in post-9/11 American apocalyptic television. Previously, while º£½ÇÉçÇøing for her MA in Cult Film and Television, she worked as the administrator and research assistant at the Brunel University Cult Film Archive. 

• CATH Research Centre
• Midlands Television Research Grou

Bennett, E. (2012) Techno-Butterfly: Orientalism Old and New in Battlestar Galactica. Science Fiction Film and Television, 5 (1) pp. 23-46 

Bennett, E. (2011) Deconstructing the Dream Factory: Personal Fantasy and Corporate Manipulation in Joss Whedon’s Dollhouse. Slayage: The Journal of the Whedon Studies Association, 9 (1) [online]

• The apocalypse in popular culture
• Gender in film and television
• British and American science fiction film and television
• The Gothic
• Cult studies and fan activity

• BA (Hons) Film and Literature (2005), University of Warwick
• MA Cult Film and Television (2008), Brunel University 

Mr. Pointy Award for the best short work in Whedon Studies in 2011 for the article ‘Deconstructing the Dream Factory: Personal Fantasy and Corporate Manipulation in Joss Whedon’s Dollhouse’ (conferred July 2012)

 

Bennett, E. (2012) Deus ex Machina: AI Apocalypticism in Terminator: The Sarah Connor Chronicles [paper]. Don’t Panic: The Apocalypse in Theory and Culture, University of Kent, May 25-26